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Robinson Crusoe: The narrator of the novel who gets shipwrecked. Friday: Servant to Robinson Crusoe. Xury: Former servant to Crusoe.

Is later given to the Portuguese Sea Captain as an indentured servant. The Widow: Friend to Robinson Crusoe. She looks over his assets while he is away.

Is very generous and close with Crusoe; helps him with his money and plantation. The Spaniard: Rescued by Robinson Crusoe and helps him escape his island.

Robinson Crusoe's father: A merchant named Kreutznaer. Robinson Crusoe was published in during the Enlightenment period of the 18th century.

In the novel Crusoe sheds light on different aspects of Christianity and his beliefs. The book can be considered a spiritual autobiography as Crusoe's views on religion drastically change from the start of his story and then the end.

In the beginning of the book Crusoe is concerned with sailing away from home, whereupon he meets violent storms at sea.

He promises to God that if he survived that storm he would be a dutiful Christian man and head home according to his parent's wishes.

However, when Crusoe survives the storm he decides to keep sailing and notes that he could not fulfil the promises he had made during his turmoil.

After Robinson is shipwrecked on his island he begins to suffer from extreme isolation. He turns to his animals to talk to, such as his parrot, but misses human contact.

He turns to God during his time of turmoil in search of solace and guidance. He retrieves a Bible from a ship that was washed along the shore and begins to memorize verses.

In times of trouble he would open the Bible to a random page where he would read a verse that he believed God had made him open and read, and that would ease his mind.

Therefore, during the time in which Crusoe was shipwrecked he became very religious and often would turn to God for help. When Crusoe meets his servant Friday, he begins to teach him scripture and about Christianity.

He tries to teach Friday to the best of his ability about God and what Heaven and Hell are. His purpose is to convert Friday into being a Christian and to his values and beliefs.

There were many stories of real-life castaways in Defoe's time. According to Tim Severin , "Daniel Defoe, a secretive man, neither confirmed or denied that Selkirk was the model for the hero of his book.

Apparently written in six months or less, Robinson Crusoe was a publishing phenomenon. The author of Crusoe's Island, Andrew Lambert states, "the ideas that a single, real Crusoe is a 'false premise' because Crusoe's story is a complex compound of all the other buccaneer survival stories.

Robinson Crusoe was shipwrecked while Selkirk decided to leave his ship thus marooning himself; the island Crusoe was shipwrecked on had already been inhabited, unlike the solitary nature of Selkirk's adventures.

The last and most crucial difference between the two stories is Selkirk is a pirate, looting and raiding coastal cities.

He's an economic imperialist. He's creating a world of trade and profit. Ibn Tufail's Hayy ibn Yaqdhan is a twelfth-century philosophical novel also set on a desert island and translated from Arabic into Latin and English a number of times in the half-century preceding Defoe's novel.

Pedro Luis Serrano was a Spanish sailor who was marooned for seven or eight years in the sixteenth century on a small desert island after shipwrecking on a small island in the Caribbean off the coast of Nicaragua in the s.

He had no access to fresh water and lived off the blood and flesh of sea turtles and birds. He was quite a celebrity when he returned to Europe and before passing away, he recorded the hardships suffered in documents that show the endless anguish and suffering, the product of absolute abandonment to his fate, now held in the General Archive of the Indies , in Seville.

It is very likely that Defoe heard his story, years old by then but still very popular, in one of his visits to Spain before becoming a writer.

Tim Severin 's book Seeking Robinson Crusoe unravels a much wider and more plausible range of potential sources of inspiration, and concludes by identifying castaway surgeon Henry Pitman as the most likely.

His short book about his desperate escape from a Caribbean penal colony, followed by his shipwrecking and subsequent desert island misadventures, was published by John Taylor of Paternoster Row , London, whose son William Taylor later published Defoe's novel.

Severin argues that since Pitman appears to have lived in the lodgings above the father's publishing house and that Defoe himself was a mercer in the area at the time, Defoe may have met Pitman in person and learned of his experiences first-hand, or possibly through submission of a draft.

Arthur Wellesley Secord in his Studies in the Narrative Method of Defoe 21— analyses the composition of Robinson Crusoe and gives a list of possible sources of the story, rejecting the common theory that the story of Selkirk is Defoe's only source.

The book was published on 25 April Before the end of the year, this first volume had run through four editions.

By the end of the nineteenth century, no book in the history of Western literature had more editions, spin-offs and translations even into languages such as Inuktitut , Coptic and Maltese than Robinson Crusoe , with more than such alternative versions, including children's versions with pictures and no text.

The term " Robinsonade " was coined to describe the genre of stories similar to Robinson Crusoe. It was intended to be the last part of his stories, according to the original title page of the sequel's first edition, but a third book, Serious Reflections During the Life and Surprising Adventures of Robinson Crusoe: With his Vision of the Angelick World , was written.

Novelist James Joyce noted that the true symbol of the British Empire is Robinson Crusoe, to whom he ascribed stereotypical and somewhat hostile English racial characteristics: "He is the true prototype of the British colonist.

The whole Anglo-Saxon spirit in Crusoe: the manly independence, the unconscious cruelty, the persistence, the slow yet efficient intelligence, the sexual apathy, the calculating taciturnity.

This is achieved through the use of European technology, agriculture and even a rudimentary political hierarchy.

Several times in the novel Crusoe refers to himself as the "king" of the island, whilst the captain describes him as the "governor" to the mutineers.

At the very end of the novel the island is explicitly referred to as a "colony". The idealised master-servant relationship Defoe depicts between Crusoe and Friday can also be seen in terms of cultural imperialism.

Crusoe represents the "enlightened" European whilst Friday is the "savage" who can only be redeemed from his barbarous way of life through assimilation into Crusoe's culture.

Nonetheless Defoe also takes the opportunity to criticise the historic Spanish conquest of South America. According to J.

Hunter, Robinson is not a hero but an everyman. He begins as a wanderer, aimless on a sea he does not understand, and ends as a pilgrim , crossing a final mountain to enter the promised land.

The book tells the story of how Robinson becomes closer to God, not through listening to sermons in a church but through spending time alone amongst nature with only a Bible to read.

Conversely, cultural critic and literary scholar Michael Gurnow views the novel from a Rousseauian perspective. Robinson Crusoe is filled with religious aspects.

Defoe was a Puritan moralist and normally worked in the guide tradition, writing books on how to be a good Puritan Christian, such as The New Family Instructor and Religious Courtship While Robinson Crusoe is far more than a guide, it shares many of the themes and theological and moral points of view.

Cruso would have been remembered by contemporaries and the association with guide books is clear. It has even been speculated that God the Guide of Youth inspired Robinson Crusoe because of a number of passages in that work that are closely tied to the novel.

Defoe also foregrounds this theme by arranging highly significant events in the novel to occur on Crusoe's birthday.

The denouement culminates not only in Crusoe's deliverance from the island, but his spiritual deliverance, his acceptance of Christian doctrine, and in his intuition of his own salvation.

When confronted with the cannibals, Crusoe wrestles with the problem of cultural relativism. Despite his disgust, he feels unjustified in holding the natives morally responsible for a practice so deeply ingrained in their culture.

Nevertheless, he retains his belief in an absolute standard of morality; he regards cannibalism as a "national crime" and forbids Friday from practising it.

In classical , neoclassical and Austrian economics , Crusoe is regularly used to illustrate the theory of production and choice in the absence of trade, money and prices.

The arrival of Friday is then used to illustrate the possibility of trade and the gains that result.

The work has been variously read as an allegory for the development of civilisation; as a manifesto of economic individualism; and as an expression of European colonial desires.

Significantly, it also shows the importance of repentance and illustrates the strength of Defoe's religious convictions.

Critics such as Maximillian E. Novak support the connection between the religious and economic themes within Robinson Crusoe , citing Defoe's religious ideology as the influence for his portrayal of Crusoe's economic ideals and his support of the individual.

This further supports the belief that Defoe used aspects of spiritual autobiography in order to introduce the benefits of individualism to a not entirely convinced religious community.

Paul Hunter has written extensively on the subject of Robinson Crusoe as apparent spiritual autobiography, tracing the influence of Defoe's Puritan ideology through Crusoe's narrative, and his acknowledgement of human imperfection in pursuit of meaningful spiritual engagements—the cycle of "repentance [and] deliverance.

Early critics, such as Robert Louis Stevenson , admired it, saying that the footprint scene in Crusoe was one of the four greatest in English literature and most unforgettable; more prosaically, Dr.

Wesley Vernon has seen the origins of forensic podiatry in this episode. Two sequels followed, Defoe's The Farther Adventures of Robinson Crusoe and his Serious reflections during the life and surprising adventures of Robinson Crusoe: with his Vision of the angelick world Jonathan Swift 's Gulliver's Travels in part parodies Defoe's adventure novel.

The book proved so popular that the names of the two main protagonists have entered the language. During World War II , people who decided to stay and hide in the ruins of the German-occupied city of Warsaw for a period of three winter months, from October to January , when they were rescued by the Red Army , were later called Robinson Crusoes of Warsaw Robinsonowie warszawscy.

Robinson Crusoe marked the beginning of realistic fiction as a literary genre. Jonathan Swift 's Gulliver's Travels , published seven years after Robinson Crusoe , may be read as a systematic rebuttal of Defoe's optimistic account of human capability.

In Treasure Island , author Robert Louis Stevenson parodies Crusoe with the character of Ben Gunn , a friendly castaway who was marooned for many years, has a wild appearance, dresses entirely in goat skin and constantly talks about providence.

In Jean-Jacques Rousseau 's treatise on education, Emile, or on Education , the one book the protagonist is allowed to read before the age of twelve is Robinson Crusoe.

Rousseau wants Emile to identify himself as Crusoe so he can rely upon himself for all of his needs. In Rousseau's view, Emile needs to imitate Crusoe's experience, allowing necessity to determine what is to be learned and accomplished.

This is one of the main themes of Rousseau's educational model. In The Tale of Little Pig Robinson , Beatrix Potter directs the reader to Robinson Crusoe for a detailed description of the island the land of the Bong tree to which her eponymous hero moves.

In Wilkie Collins ' most popular novel, The Moonstone , one of the chief characters and narrators, Gabriel Betteredge, has faith in all that Robinson Crusoe says and uses the book for a sort of divination.

He considers The Adventures of Robinson Crusoe the finest book ever written, reads it over and over again, and considers a man but poorly read if he had happened not to read the book.

His novel explores themes including civilization versus nature, the psychology of solitude, as well as death and sexuality in a retelling of Defoe's Robinson Crusoe story.

Tournier's Robinson chooses to remain on the island, rejecting civilization when offered the chance to escape 28 years after being shipwrecked.

Likewise, in , J. The book's epigraph is a quote from Robinson Crusoe , and like Crusoe, Adam Pollo suffers long periods of loneliness.

Coetzee 's novel Foe recounts the tale of Robinson Crusoe from the perspective of a woman named Susan Barton.

The story was also illustrated and published in comic book form by Classics Illustrated in and The piece was produced again in , this time starring Grimaldi as Clown.

In , Grimaldi played Friday in another version of Robinson Crusoe. This was based on the British pantomime version rather than the novel itself.

A fierce ocean storm wrecks his ship and leaves him stranded by himself on an uncharted island. Left to fend for himself, Crusoe seeks out a tentative survival on the island, until he meets Friday, a tribesman whom he saves from being sacrificed.

Initially, Crusoe is thrilled to finally have a friend, but he has to defend himself against the tribe who uses the island to sacrifice tribesman to their gods.

During time their relationship changes from master-slave to a mutual respected friendship despite their difference in culture and religion.

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